Characteristic
notes
Each mode has a note within the scale that
makes it different from the other modes in its
category (major or minor) This is called
the characteristic note. You are going
to compare the major modes to the major scale,
and the minor modes to the natural minor scale.
Major
Mode Characteristic notes
Ionian - 4
Lydian - #4
Mixolydian - b7
When comparing the Lydian mode to the major
scale, it is the #4 that make it unique. When
comparing Mixolydian to the major scale, it
is the b7 that make it unique. Often if you
are using the Ionian mode, you are really working
with a major key. But if you were dealing with
Ionian in a strict modal context, the characteristic
note is 4. The difference between something
being in a major key and being in the Ionian
mode can be a little fuzzy. This will be looked
at in more detail in another lesson. But for
now it is really the Lydian and Mixolydian that
you want to concern yourself with.
Minor
Mode Characteristic notes
Aeolian - b6
Dorian - 6
Phrygian - b2
When comparing Dorian to the Aeolian mode (natural
minor), it the natural 6 that makes it unique.
The Phrygian mode has b2 that makes it unique.
The characteristic note of the Aeolian mode
is b6. Often when you are writing a song in
a minor key, you are using a combination of
the notes and chords from 2 different scales,
the natural minor, and the harmonic minor. Therefore
what makes the Aeolian mode different from a
song that might be written in a minor key is
that it will only use the notes and chords build
from the mode. It will not borrow from the harmonic
minor scale. This will be looked at in more
detail in another lesson.