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Often we get bored with what we play. This can be due to the repetitiveness of some bass lines. Here is a simple and systematic way to develop your bass lines while maintaining the all-important groove. The examples are over the two-chord vamp of C7 and Bb7, such as in the A-section of “Killer Joe”, a jazz standard in 4/4 time. Although the examples below employ the walking bass technique of playing quarter notes, you can and should make up your own variations to suit your style. Legend 1 = chord root Ex11 5 1 CPT 1 5 1 CPT – Repeat this two-measure phrase. The notes are C G C B Bb F Bb B Repeat.
C7 Bb7 C7
G:||---------------|---------------||---------||
D:||o--------------|--------------o||---------||
A:||o--3-----3--2--|--1-----1--2--o||--3------||
E:||------3--------|-----1---------||---------||
Ex2Play all notes one octave higher.
C7 Bb7 C7
G:||---5-----5--4--|--3-----3--4---||--5------||
D:||o-----5--------|-----3--------o||---------||
A:||o--------------|--------------o||---------||
E:||---------------|---------------||---------||
Ex31 5 8 CPT 8 5 1 CPT
C7 Bb7 C7
G:||---------5--4--|--3------------||---------||
D:||o-----5--------|-----3--------o||---------||
A:||o--3-----------|--------1--2--o||--3------||
E:||---------------|---------------||---------||
Ex48 5 1 CPT 1 5 8 CPT – This is an inversion of Ex3
C7 Bb7 C7
G:||---5-----------|--------3--4---||--5------||
D:||o-----5--------|-----3--------o||---------||
A:||o--------3--2--|--1-----------o||---------||
E:||---------------|---------------||---------||
Ex51 3 1 CPT 1 3 1 CPT
C7 Bb7 C7
G:||---------------|---------------||---------||
D:||o-----2--------|-----0--------o||---------||
A:||o--3-----3--2--|--1-----1--2--o||--3------||
E:||---------------|---------------||---------||
Ex6Any combination of the above examples PLUS YOUR OWN. Further suggestion: Before you even attempt to play different examples, write down all possibilities you can think of. I guarantee you will come up with options you will not have found through playing alone. Bass of Luck!
George Urbaszek © 2006 |
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