9th Bass Line Pattern #2

Here is a variation on the last shape, only this time I am going to skip the octave and just play the root (C), the 5th (G) and the 9th (D). You can either shift your hand position to get up to the 9th, or do some stretching by playing the root with your 1st finger, the 5th with your 2nd finger, and 9th with your 4th finger.

9th Bass Line Pattern #2 Groove

Now let’s play our same groove of Cm to Bb with this shape.

9th Bass Line Pattern #3 – Major and Minor

The previous 2 bass line patterns were neither major nor minor, and could have been used over either chord. Major chords are made up of the 1st 3rd, and 5th notes of a major scale. So a C major chord is the notes C E and G. A Cm chord is the 1st, 3rd note lowered by 1 fret, and 5th note of a C major scale. Sometimes referred to as 1, b3 and 5. The b3 indicating that it is the 3rd note of a major scale lowered by a ½ step (1 fret).

9th Bass Line Pattern #3 – Major

So now we are going to add in a 3 to give our shape a major flavor. The E note (3) is up a whole step (2 frets) above the D note (9). So after we play the root, 5th, and 9th, I am going to go up to 2 frets to E, and then come down to the octave above the root. So 1 5 9 3 8.

9th Bass Line Pattern #3 – Minor

Let’s try the same bass line pattern, only for a minor chord. The b3 is up a half step from the 9. So this time we are going to play the root, 5th, 9th, b3, and then the 8. So there is only a one note difference from the major pattern. So 1 5 9 b3 8.

9th Bass Line Pattern #3 Groove

Now it’s groove time with our new major and minor bass line patterns. We are going to use the same Cm to Bb chord progression we have been using, but this time the shape for the minor chord is going to be different than the major chord.

All of these patterns could also be played starting on the 3rd string as well, or even starting on the 5th string if you have one.

9th Bass Line Patterns – Jam Track

Now it's time to put what you have learned to work. First practice each indivdual bass line pattern separatly with the jam track, then try mixing them up. You should also experiment with playing all of the notes in these patterns in different orders and with different rhythms.

Page 1 - 9th Bass Line Music Theory, and Pattern #1