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Ear Training for Bass - Level 1
Guest teacher series
George Urbaszek
CreativeBassLessons.com

Ear Training for Bass - Level 1
by George Urbaszek
CreativeBassLessons.com

Most of us have encountered the situation where a fellow musician plays a riff and expects us to copy it. What do we do? Look at his/her hands in an attempt to "see" the notes. This technique might seem useful at the time, however it is a BIG MISTAKE.

When we fall into the BIG MISTAKE trap, we are immediately blocking our aural senses.

In this lesson we will cover rudimentary aural skills. Don’t let the word "rudimentary" fool you. If the rudiments are not in place, nothing is.

As mentioned in many of my other lessons, it is important to vocalize what we are about to play. First, DO NOT PICK UP YOUR BASS.

Step 1 - Vocalize the riff you are trying to copy. Don’t be at all concerned if your pitch is off. Just vocalize anyway. What about the rhythm? Are you vocalizing that correctly? If not, concentrate only on the rhythm for a while.

Step 2 - Vocalize with these three words: Low, Mid, High. Imagine "seeing" the pitch levels of notes relative to each other.

Step 3 - While vocalizing, show each pitch level with your hand. This creates an even more visual relationship to what your are hearing. (This is not the same as seeing someone play.)

Now pick up your bass and find any of the notes you have been hearing. It does not matter if you find the last note first, because you can use logic to then go in the right direction to find the other notes.

VERY IMPORTANT TIP (You will use this for the rest of your life): To find any note on any instrument, first hum the note as a drone. Next, play any note on your instrument and decide whether you have to go higher or lower to find the "drone" note. It does not even matter if you go in the wrong direction, because eventually you will find the note an octave higher or lower. To make sure you don’t skip any notes YOU MUST MOVE CHROMATICALLY. Play every fret (half step/semitone) until you reach the "drone" note. That’s all there is to it.

This video will show you how to use the concepts addressed above. In addition, the beginning of the video gives some tips on melodic bass playing.

In this video I workshop a real example, taking you through the steps of working out a bass riff.

The video is an actual Consolidation Video from my Beginner to Intermediate series of Bass Lessons Online, available at http://www.creativebasslessons.com

Monthly subscriptions to online bass lessons available at
www.creativebasslessons.com


Other Lessons from George Urbaszek

Beats Workin’ - Getting the metronome to work for you
String Crossing

Bass Line Development
Playing Fast
Transcription Techniques for Bass - Part 1
Transcription Techniques for Bass - Part 2
Transcription Techniques for Bass - Part 3
Transcription Techniques for Bass - Part 4
Ear Training for Bass - Level 1


About George Urbaszek

Besides being an innovative and highly respected music educator, George Urbaszek plays double bass, guitar, bass guitar and bassitar. His background includes almost all genres of music, from classical to funk, from jazz to country, from various world musics to the yet-to-be-categorized. He has over 3000 performances and 120 recording sessions to his credit and has toured Australia, Central Europe, Canada, USA and the Pacific Islands.

George has performed with artists ranging from Rolf Harris through to Judith Durham, Beccy Cole, Marina Prior, George Washingmachine, Thelma Housten and the New York production of Porgy and Bess. His former students include Brendan Clarke (winner of the Australian National Jazz Award), Kim Khahn (Robbie Williams, Mel C, Natalie Imbruglia) and Rory Quirk (John Butler Trio).

After lecturing for thirteen years in the Jazz Department of the Australian National University, George is now residing near Byron Bay, Australia, where he works from home teaching students from all over the world using an innovative approach of step-by-step online bass lessons.

CreativeBassLessons.com

CreativeBass.com


George Urbaszek © 2010





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