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Playing Fast on the Bass Guitar
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George Urbaszek
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Playing Fast
by George Urbaszek
CreativeBassLessons.com

The ability to play fast is almost every bass player’s wish and the requirement to play fast is often part of the job.

Here is an exercise to get you going:

Find a good fingering pattern for a two-octave major scale and set your drum machine metronome to 300 bpm (beats per minute). (Standard metronomes don’t click that fast, so if you don’t have a drum machine, sequencer or software program, then do something about it. My suggestions: Buy or borrow a drum machine, download or use one off the internet or get someone to record a few minutes of clicks on a cassette tape or CD.)

Play each note of the two-octave major scale four times. Make sure you go up and down the scale non-stop without repeating the highest note. As soon as you get back to the lowest note immediately go up and down the scale again playing each note only three times. Then play each note twice and finally only once.

Do the entire exercise without stopping between four, three, two and one hits per note. The plucking hand therefore plays every metronome beat while the fretting hand moves faster for each segment of the exercise.

At 300 bpm this particular exercise takes exactly 56 seconds. Within 56 seconds you will have played each scale four times faster than at the beginning. I find this an excellent time/result ratio. Any seven-note scale through two octaves in all twelve keys will take less than twelve minutes to complete.

Once you have completed this 12-minute exercise cycle satisfactorily you will already be a more confident player.

Now you should move on to other scales. When completed move on to arpeggios. Got the picture? If a shift or rhythm is not working satisfactorily, work out why. If necessary get someone more knowledgeable to check your technique.

Whatever the case, persevere. Bass of Luck!

Below is a notated example of this exercise using the G major scale.

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Click to hear a "live" recording of this exercise

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Other Lessons from George Urbaszek

Beats Workin’ - Getting the metronome to work for you
String Crossing

Bass Line Development
Playing Fast
Transcription Techniques for Bass - Part 1
Transcription Techniques for Bass - Part 2
Transcription Techniques for Bass - Part 3
Transcription Techniques for Bass - Part 4


About George Urbaszek

Besides being an innovative and highly respected music educator, George Urbaszek plays double bass, guitar, bass guitar and bassitar. His background includes almost all genres of music, from classical to funk, from jazz to country, from various world musics to the yet-to-be-categorized. He has over 3000 performances and 120 recording sessions to his credit and has toured Australia, Central Europe, Canada, USA and the Pacific Islands.

George has performed with artists ranging from Rolf Harris through to Judith Durham, Beccy Cole, Marina Prior, George Washingmachine, Thelma Housten and the New York production of Porgy and Bess. His former students include Brendan Clarke (winner of the Australian National Jazz Award), Kim Khahn (Robbie Williams, Mel C, Natalie Imbruglia) and Rory Quirk (John Butler Trio).

After lecturing for thirteen years in the Jazz Department of the Australian National University, George is now residing near Byron Bay, Australia, where he works from home teaching students from all over the world using an innovative approach of step-by-step online bass lessons.

CreativeBassLessons.com

CreativeBass.com


George Urbaszek © 2007




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